| ID | Interpret | Skladba | Album | |
| 31. | Herr K | The Fall of the House of Usher | Histories [Soundtracks to the works of Edgar Poe] |  |
| 32. | Penelope Houston - Avengerz | Penelope Houston Interview - October 9, 2007 | Mobilization Audio Histories Project | |
| 33. | Herr K | The Murders in the Rue Morgue [Murders] | Histories [Soundtracks to the works of Edgar Poe] | |
| 34. | Penelope Houston - Avengerz | Penelope Houston Interview - October 9, 2007 | Mobilization Audio Histories Project | |
| 35. | Herr K | The Fall of the House of Usher | Histories [Soundtracks to the works of Edgar Poe] | |
| 36. | Herr K | The Murders in the Rue Morgue [Analysis] | Histories [Soundtracks to the works of Edgar Poe] | |
| 37. | Penelope Houston - Avengerz | Penelope Houston Interview - October 9, 2007 | Mobilization Audio Histories Project | |
| 38. | Herr K | Coda | Histories [Soundtracks to the works of Edgar Poe] | |
| 39. | Herr K | The Sphinx | Histories [Soundtracks to the works of Edgar Poe] | |
| 40. | Herr K | A Descent into the Maelstroem | Histories [Soundtracks to the works of Edgar Poe] | |
| 41. | James Moody | The circumstances under which Moody recorded Moody's Mood for Love | Oral History | |
| 42. | James Moody | James Moody discusses what he would do if he could do anything | Oral History | |
| 43. | James Moody | James Moody describes how he would like to be remembered | Oral History | |
| 44. | James Moody | Jazz at the Philharmonic with Moody, Clark Terry, and T-Bone Walker: "Woman, you must be crazy." | Oral History | |
| 45. | Dan Morgenstern | Dan Morgenstern describes escaping to Sweden Part I. | Oral History | |
| 46. | James Moody | James Moody talks about when he became interested in music | Oral History | |
| 47. | Dan Morgenstern | Dan Morgenstern discusses how he began collecting jazz books. | Oral History | |
| 48. | Dan Morgenstern | Dan Morgenstern describes discovering a record of Coleman Hawkins singing. | Oral History | |
| 49. | Dan Morgenstern | Dan Morgenstern talks about becoming interested in jazz after the war. | Oral History | |
| 50. | Billy Taylor | Dr. Billy Taylor describes his relationship with Charlie Parker Part I. | Oral History | |
| 51. | Billy Taylor | Dr. Billy Taylor talks about moving to New York and going straight to Minton’s and playing with Ben Webster | Oral History | |
| 52. | Dan Morgenstern | Dan Morgenstern discusses his role as the editor of Downbeat. | Oral History | |
| 53. | Dan Morgenstern | Dan Morgenstern remembers his first encounter with jazz. | Oral History | |
| 54. | Billy Taylor | Dr. Billy Taylor describes auditioning for Ben Webster and meeting Art Tatum at the same time. | Oral History | |
| 55. | Billy Taylor | Dr. Billy Taylor describes his first paying gig as a jazz musician. | Oral History | |
| 56. | Bob Cobbing | Trigram | Oral Complex at the L.M.C. | |
| 57. | Bob Cobbing | Blotting Music | Oral Complex at the L.M.C. | |
| 58. | Clyde Dunkob | Hydrophonics on Three Levels - Symphony Number One | Oral Complex at the L.M.C. | |
| 59. | Clive Fencott | London Building & Home Improvement | Oral Complex at the L.M.C. | |
| 60. | Clive Fencott | East Coast/West Coast | Oral Complex at the L.M.C. | |
